Hľadanie: Abstract Expressionism
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Abstract Expressionism
Abstract expressionism—the non-representational use of paint as a means of personal expression—emerged in America in the 1940s, inspired by the innovative work of Arshile Gorky. Considered the first art movement originating in the Americas to have a worldwide influence, abstract expressionism spawned two very different sub-categories: action painting (exemplified by Willem de Kooning and Jackson Pollock) and color field painting, made most famous by Mark Rothko. Abstract expressionists strove to express emotions and ideas directly on canvas via color, form and texture—the quality of brushstrokes and other marks, the dripping of paint, for example—while embracing accident and chance, and celebrating the very act of painting.
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Abstract Expressionism
In 1946 the art critic Robert Coates, writing in the New Yorker, first used the term 'Abstract Expressionism'. The two words combine the emotional intensity of the German Expressionists with the anti-figurative aesthetic of the European Abstract schools. Although they were being painted by then little-known artists working in low-rent studio space, works of Abstract Expressionist art now dominate the walls of major museums.
This important publication re-evaluates the movement, recognising its complex and fluid reality, and branching further into multimedia. As such, this book encompasses sculptors such as David Smith and photographers such as Aaron Siskind as well as some of the most famous painters of the twentieth century, including Jackson Pollock, Willem de Kooning, Mark Rothko, Barnett Newman, Franz Kline, Arshile Gorky and Clyfford Still.
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Abstract Expressionism
Abstract Expressionism will forever be associated with the energy and vibrancy of 1950s New York. Artists injected a new sense of confidence in painting, experimenting with improvisation, spontaneity, and color. This bold publication and the major exhibition it accompanies seek to reevaluate the movement, making the case that far from being unified, Abstract Expressionism was in fact complex and ever-changing. This volume includes works by the most celebrated artists associated with the movement?not just Pollock, Rothko, and de Kooning, but also Kline, Newman, Still, Smith, Reinhardt, and Gorky. Sculptors such as David Smith and photographers such as Aaron Siskind are also represented. With texts by well-known experts in the field, this is a landmark publication.
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Abstract Expressionism
Mood marks: The painterly gestures of personal feelings Hailed as the first American-born art movement to have a worldwide influence, Abstract Expressionismdenotes the non-representational use of paint as a means of personal expression. It emerged in America in the 1940s, with lead protagonists includingJackson Pollock, Philip Guston, Robert Motherwell, Mark Rothko, andWillem de Kooning.Abstract Expressionism spawned many different stylistic tendencies but two particularly prominent sub-categories: action painting, exemplified by de Kooning and Pollock, and color field painting, made most famous by Rothko. Throughout, Abstract Expressionists strove to conveyemotions and ideas through the making of marks, through forms, textures, shades, and the particular quality of brushstrokes. The movement favored large-scale canvases, and embraced the role of accident or chance.With featured works from 20 key Abstract Expressionist artists, this book introduces the movement whichshifted the center of art gravity from Paris to New Yorkand remains for many the golden moment of American art. About the Series: Each book in TASCHEN's Basic Genre series features: a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artist approximately 100 colour illustrations with explanatory captions "
Abstract Expressionism
Abstract Expressionism is the most important art movement since the Second World War. Although it is often considered a revolution in painting alone for the images created by such leading figures as Jackson Pollock, Clyfford Still, Willem de Kooning and Mark Rothko remain altogether extraordinary its radical spirit extended further, encompassing the sculpture of David Smith and Aaron Siskinds photography. Along with other key artists such as Barnett Newman and Franz Kline, these artists formed a nucleus united not just against the tensions of American society from the 1930s onwards, but also in their aim to forge diverse new visual languages. David Anfam explores the movement in terms of its political implications and rich cultural contexts, bringing many fresh insights to the works themselves. Taking into account a wealth of scholarship, this new edition also has nearly one hundred works reproduced in colour.
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Abstract Expressionism
Abstract Expressionism emerged in New York in the years immediately following World War-II and quickly became one of the most powerful and influential movements in the history of modern art. Building on developments in European avant-garde art of the preceding decades, artists such as Willem de Kooning, Jackson Pollock, Barnett Newman and Clyfford Still developed a new abstraction that was simultaneously elemental and sophisticated. Though several of Abstract Expressionism's key figures were emigres, including Mark Rothko, Hans Hofmann and Arshile Gorky, it was art's first definitively American movement, establishing New York as the new capital of artistic innovation for years to come while creating a visual language that soon reached to the farthest corners of the globe. The enduring importance of Abstract Expressionism reflects the boundless ambition of its practitioners and their engagement with the key intellectual currents of their time, including existentialism and Jungian mysticism. For many critics and art historians their achievements represent the high-water mark of the modernist movement begun almost a century earlier. Abstract Expressionism continues to occupy a distinguished place not only in history books and museum collections but also in the popular consciousness, where its enduring appeal is testament to its profound achievements. Editor Katy Siegel has assembled a complete overview of the subject in three sections. The definitive survey recounts in detail the movement's emergence, high period and later accomplishments, incorporating both contemporaneous critical writing and up-to-the-minute scholarship. The works section presents large full-color images of over 200 key artworks accompanied by informative captions. And the documents section provides a generous archive of primary and secondary texts, including artist's statements, exhibition reviews and critical writings. The extensive back matter includes biographies on all the artists and authors plus an extensive bibliography.
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Abstract Expressionism
“Abstract expressionism” refers to the non-representational use of form and color as a means of expression that emerged in America in the 1940s, largely thanks to the innovative work of Arshile Gorky. Interestingly, abstract expressionism is considered to be the first movement originating in America to have a worldwide influence. Two very different sub-categories of the movement developed: “action painting” (exemplified notably by Willem de Kooning and Jackson Pollock) and “color field painting,” made most famous by Mark Rothko. Abstract expressionists strove to express pure emotion directly on canvas, via color and especially texture (the surface quality of the brushstroke), by embracing “accidents,” and celebrating painting itself as a communicative action. Artists featured: William Baziotes, Helen Frankenthaler, Arshile Gorky, Adolph Gottlieb, Philip Guston, Hans Hofmann, Franz Kline, Willem de Kooning, Lee Krasner, Joan Mitchell, Robert Motherwell, Barnett Newman, Jackson Pollock, Ad Reinhardt, Mark Rothko, David Smith, Theodoros Stamos, Clyfford Still, Mark Tobey, Bradley Walter Tomlin.
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9,92 €
Dosky na Školské zošity A4 Jumbo Abstract Baagl
• Ochranné dosky na úschovu zošitov alebo iných dokumentov, vrátane vnútornej klopy proti vypadnutiu, zabezpečenej gumičkou.
• Dosky majú hornú a dolnú klopu, takže z nich nikdy nič nevypadne.
• Dosky sú opatrené dvoma gumičkami, ktoré bránia samovoľnému otvoreniu.
Na sklade 1Ks
11,49 €
Kocáb Michael - Abstract CD
Tracklist:
1. Jako havran
2. Ruppert to vychytá
3. Já batohům nerozumím
4. Zvěřinec 518
5. Tatínku, co je to chaos?
6. Jan Hus
7. No tak mi to do kebule nandej
8. On Time, Mr. Paulicek!
9. Klement Gottwald
Na sklade 1Ks
7,59 €
7,99 €
Vrecko Abstract Baagl
• Vrecko na obuv alebo iné voľnočasové aktivity.
• Vrecko je vyrobené z pevného umývateľného materiálu a v jeho dolnej časti je umiestnená praktická kapsička so zipsom.
• Zaťahovanie pomocou pevných šnúrok, ktoré zároveň umožňujú nosenie na chrbte.
Školský batoh Cubic Abstract Baagl
• Ergonomicky tvarovaný chrbát.
• Úplne nastaviteľné ramenné, prsné a bočné kompresné popruhy na optimálne prispôsobenie postave.
• Tri samostatne uzatvárateľné komory s vnútorným organizérom a kapsou na 15palcový notebook alebo tablet. Tento vnútorný organizér umožňuje rovnomerné rozloženie hmotnosti.
• Predná komora batoha obsahuje praktický organizér a tiež pútko s karabínkou na zavesenie kľúčov. Túto karabínu je možné odopnúť a používať samostatne.
• Bočné kapsy z elastického materiálu.
• Vystužená tajná kapsa umiestená naspodku batoha.
• Veľmi nízka hmotnosť batoha – 1200 g.
• Objem batoha je 29 l a nosnosť 7 kg.
• Batoh je vyrobený z pevného vodovzdorného materiálu.
• Množstvo reflexných prvkov zaistí bezpečnosť dieťaťa.
• Batoh je vybavený trendy príveskom BAAGL.
• Batohy CUBIC boli testované a certifikované v akreditovaných skúšobných laboratóriách.
Šírka: 33 cm
Výška: 45 cm
Hĺbka: 20 cm
Licencie: Abstrakt
Materiál: 100% Polyester
Počet komôr: 3
Vhodné pre: pre dievčatá
Farba: ružová
Motiv: Abstrakt
Stupeň: od 3. triedy
Nosnost: 7 kg
Objem: 29 l
Peračník etue Abstract Baagl
• Pevný peračník na zips s dvojitou výklopnou chlopňou.
• Vnútorná kapsa na zips.
• Kapsa na rozvrh hodín
Abstract America
The twentieth anniversary of the Saatchi Gallery was celebrated in 2005 with "The Triumph of Painting", a landmark exhibition. The show presented painting as a fundamental root of artistic expression. It demonstrated how in an age of endless artistic possibilities painting remained a primary medium. The influences of photography, cinema and fashion were all reflected in the work of the new European painters. Especially influential was the work of a generation of German artists who had grown up in a post-war and divided nation.The book accompanying the exhibition, the first publication to make the disparate currents of the new painting coherent, was soon out of print. "The Triumph of Painting" has been expanded into an ongoing project and to mark the opening of the gallery's new and largest exhibition space in London two new definitive volumes are being published. The first, Germania, will present the German tradition beginning with the work of the dominant figures Martin Kippenberger and Jorg Immendorff and extended to the new generation, including radical work from the Leipzig school. The second volume will be devoted entirely to the new American abstract painters, few of whom appeared in the original "Triumph of Painting" book. "The Triumph of Painting" will continue with further volumes coinciding with future exhibitions to establish the most authoritative and comprehensive survey of new painting.
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34,68 €
36,51 €
German Expressionism: Paintings at the Saint Louis Art Museum
New insight into German Expressionism through its permanent collection at the Saint Louis Art Museum.
The Saint Louis Art Museum is home to one of North America’s largest and most comprehensive collections of German Expressionist paintings. Rediscover a defining movement of modern art through this original study of works by twenty-five artists who span its famously wide arc.
German Expressionism: Paintings at the Saint Louis Art Museum is the first publication on the Saint Louis Art Museum’s internationally renowned collection of German Expressionist art, which includes major works by the movement’s leading artists and lesser-known figures rarely seen outside of Germany. Engaging entries delve into the paintings’ histories, from their production to their arrival in St. Louis. An introduction traces the collection’s origins to the flood of Expressionist art that entered the United States during World War II. What emerges is a new account of a pivotal era in modern art, exploring the stories behind exceptional German Expressionist paintings.
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68,35 €
71,95 €
Abstract Art
Since the early years of the 20th century, Western abstract art has fascinated, outraged and bewildered audiences. Its path to acceptance within the artistic mainstream was slow. Anna Moszynska traces the origins and evolution of abstract art, placing it in broad cultural context.
She examines the pioneering work of Kandinsky, Malevich and Mondrian alongside the Russian Constructivists, the De Stijl group and the Bauhaus artists, contrasting European geometric abstraction in the 1930s and 40s with the emphasis on personal expression after the Second World War. Op, Kinetic and Minimal art of the postwar period is discussed and illustrated in detail, and new chapters bring the account up to date, exploring the crisis in abstraction of the 1980s and its revival - in paint, fabric, sculpture and installation - in recent decades. The first edition of this book, published in 1990, was acclaimed by reviewers; now in full colour and comprehensively revised, it will serve as the best introduction to abstract art for a new generation.
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18,53 €
19,50 €
Abstract Art: A Global History
Taking a radically new approach to the history of abstract painting, Pepe Karmel applies a scholarly yet fresh vision to reconsider the history of abstraction from a global perspective and to demonstrate that abstraction is embedded in the real world. Moving beyond the orthodox canonical terrain of abstract art, he surveys artists from across the globe, examining their work from the point of view of content rather than form. Previous writers have approached the history of abstraction as a series of movements solving a series of formal problems. In contrast, Karmel focuses on the subject matter of abstract art, showing how artists have used abstract imagery to express social, cultural and spiritual experience.
An introductory discussion of the work of the early modern pioneers of abstraction opens up into a completely new approach to abstract art based around five inclusive themes - the body, the landscape, the cosmos, architecture, and the repertory of man-made signs and patterns - each of which has its own chapter. Starting from a figurative example, Karmel works outwards to develop a series of narratives that go far beyond the established figures and movements traditionally associated with abstract art. Each narrative is complemented by a number of 'featured' abstract works, which provide an in-depth illustration of the breadth of Karmel's distinctive vision.
A wide-ranging examination of topics - from embryos to the surface of skin, from vortexes to waves, planets to star charts, towers to windows - is interwoven with detailed analysis of works by established figures like Joan Miro and Jackson Pollock alongside pieces by lesser-known artists such as Wu Guanzhong, Hilma af Klint and Odili Donald Odita.
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75,95 €
79,95 €
Expressionism
Anxious angles: The pioneers and masterworks of "degenerate" ExpressionismGerman Expressionists were uneasy and angry. Emerging at the dawn of the 20th century, they railed against Christian and bourgeois values as much as rampant urban industrialization. Anti-imperialist, they were dispersed, shattered, and depleted by the horrors of the First World War, and rallied their efforts only to be officially erased by the Nazi "Degenerate Art" exhibition of 1937.In this comprehensive TASCHEN collection, director of the Gerhard Richter Archive Dietmar Elger gathers the many artists and elements of this urgent, scattered, complex movement into one authoritative overview of its protagonists, principles, and essential role in 20th-century modernism. Finding a critical calm amid the frenzy of color and distortion, the book distills Expressionism's leading collectives, Die Brucke and Der Blaue Reiter, as well as its regional characteristics across its Berlin and Munich hubs, and its North German, Rheinland, and Viennese variants.Along the way, we compare and contrast themes and stylistic choices as this dispersed group of artists wrestled with their modern industrial reality. We find luminous streaks from Wassily Kandinsky, and the sickly hues of Ernst Ludwig Kirchner, the futurist facets of Franz Marc, and a partial Impressionist throwback in the gaudy dabs of Emil Nolde. We meet fat faces, tired faces, and faces like African masks. We walk into seedy bars with bloated old men, and then enter a claustrophobic yellow room occupied by an awkwardly posed nude. We are crushed in a cacophony of city sound and smoke, and then left alone with woods, a lake, and silence.Spanning this richness and range in Expressionist output, Elger features such well-known figures as Beckmann, Kandinsky, Kirchner, Kokoschka, Nolde, Schiele, while taking care to present inadequately studied artists such as Conrad Felixmuller, Ludwig Meidner, and Marianne von Werefkin. The result is an expansive, inclusive, dependable digest of a vivid, often violent mode of expression, and the yearning and unease behind its frenzied paintwork.
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37,95 €
39,95 €
Expressionism
This visceral life: Seeing the world through Expressionist eyes Sharp angles, strange forms, lurid colors, and distorted perspectives are classic hallmarks ofExpressionism, the twentieth century movement thatprioritized emotion over objective reality. Though particularly present in Germany and Austria, the movement s approach flourished internationally and is today hailed asone of the most influential shifts in art history.With leading groupsDie Brucke(The Bridge) andDer Blaue Reiter(The Blue Rider), and key players such as Wassily Kandinsky, Egon Schiele, andEmil Nolde, the Expressionists disowned Impressionism, which they regarded as man lowered to the position of a gramophone record of the outer world, to depict instead araw and visceral experienceof life as it was felt, rather than seen on the surface. Their paintings brim with emotive force, conveyed in particular throughintense and non-naturalistic color palettes, loose brushwork, and thick textures.Covering the group s stylistic tendencies, influences, and most important protagonists, this introductory book explores the Expressionist panorama of moods, ideas, and emotions and their abiding quest for deep authenticity. About the series: Each book in TASCHEN's Basic Genre series features: approximately 100 colour illustrations with explanatory captions a detailed illustrated introduction plus a timeline of the most important political, cultural, and social events that took place during that period a selection of the most important works of the epoch, each presented on a 2-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist "